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''Harry Potter and the Deathly Hallows − Part 1'' is a motion picture soundtrack to the 2010 film of the same name, written and conducted by the French film composer Alexandre Desplat. The soundtrack was nominated for the 2010 IFMCA Award for Best Original Score for a Fantasy Film and the 2010 Satellite Award for Best Original Score. ==Development== The score for ''Deathly Hallows – Part 1'' is composed by Golden Globe award-winning and Academy Award-nominated film composer Alexandre Desplat. Desplat follows John Williams, Patrick Doyle, and Nicholas Hooper in composing music for the ''Harry Potter'' series. Williams composed the first three films, Doyle scored the fourth film, while Hooper worked on the soundtracks for the fifth and sixth films. Desplat stated that he would compose until September 2010, with the soundtrack being released on 16 November 2010, three days before the film's release date. A three-disc ''Limited Edition Collector's Box Set'' was also released on 21 December 2010. In an interview, Desplat mentioned the inclusion of John Williams's ''Hedwig's Theme'' on the soundtrack. He said, "We will start this summer; it will take me all summer. I will not have many holidays, but again, it's for good reason - for the soundtrack. I would take every opportunity to use the fabulous theme composed by John Williams. I'd say it has not sufficiently been used in the latest movies, so if I have the opportunity, and if the footage allows me, I'm going to arrange it...I shall make it with great honour and pleasure." Director David Yates also talked about the use of "Hedwig's Theme" in the film, stating that the theme would be present during "anything that felt like we were being nostalgic or in a way reflective of the past." He went on by saying that the tone of the theme was altered to be in line with the mood of the film, as he "wanted it to feel like it was all getting a bit distressed. We wanted to sort of fuck it up a bit." Desplat commented on the other various major themes that he developed for the soundtrack, saying, "Since Harry, Ron and Hermione are now on the road being chased by the dark forces of Voldemort, they are never twice in the same place. They are constantly on the move. I alternate between themes by situation or location (the Ministry of Magic, the Sky Battle, the Burrows); themes by characters: Dobby, Dumbledore, Voldemort, Bathilda Bagshot, Lovegood, or several other characters; the Oblivation theme, which conveys their loss of innocence, as well as the sense of danger, and will be the leading them through their exodus; and themes for magical devices (the Detonators, the Locket, the Deathly Hallows)." The recording sessions started on 14 August 2010. Conrad Pope, one of the orchestrators on the first three ''Potter'' films and the supervising orchestrator on ''Deathly Hallows'', commented that Desplat's music is "exciting and vigorous". He added on his Facebook profile that "Harry flies, fights and conjures. All accompanied by the distinctive, definitely non-generic voice of Desplat. Those who love melodies, harmonies and emotions in their film scores should be pleased. Reminds one of the old days."〔(【引用サイトリンク】title=Conrad Pope Face Book Updte Status )〕 Not included on the soundtrack is "O Children" by Nick Cave and the Bad Seeds. David Yates accompanied it to a scene developed by screenwriter Steve Kloves, where Harry and Hermione share a dance in their tent after Ron leaves to "capture the tension and friendship and love that they share together". Because the scene wasn’t in the book, it was decided it couldn't be a tune that had been used in film or on television before or a song that would "pull you out of the wizard world and into ours". Aiming for an "old soul song" along the lines of James Carr and Otis Redding, and more modern material such as Oasis and Radiohead, it was determined these musicians offered too much of the "Muggle world". Yates listened to "about 300" tracks from music supervisor Matt Biffa "because I needed a piece of music that was poignant and tender but oddly uplifting. And I came across Nick's piece, and I loved it immediately. It has that capacity to lift you up and break your heart at the same time. My biggest fear was playing it for Dan () and Emma () 'cause I thought, 'God, are they going to understand?’ Because it was important to me that they understand the music as well, that they felt it. So I played it for them, and it was my most nervous moment, and I played it for them, and I was like, 'Oh, God, are they going to like it?’ and they loved it." 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Harry Potter and the Deathly Hallows – Part 1 (soundtrack)」の詳細全文を読む スポンサード リンク
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